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The essence of it in the present context was 'neither a knight nor a peasant or "husbonde" but something in between'.From the 16th century on, there were attempts to elevate Robin Hood to the nobility and in two extremely influential plays, Anthony Munday presented him at the very end of the 16th century as the Earl of Huntingdon, as he is still commonly presented in modern times.The first clear reference to 'rhymes of Robin Hood' is from the alliterative poem Piers Plowman, thought to have been composed in the 1370s, but the earliest surviving copies of the narrative ballads that tell his story date to the second half of 15th century, or the first decade of the 16th century.In these early accounts, Robin Hood's partisanship of the lower classes, his Marianism and associated special regard for women, his outstanding skill as an archer, his anti-clericalism, and his particular animosity towards the Sheriff of Nottingham are already clear.

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the latter is more comic, its plot involving trickery and cunning rather than straightforward force.Little John, Much the Miller's Son and Will Scarlet (as Will 'Scarlok' or 'Scathelocke') all appear, although not yet Maid Marian or Friar Tuck.It is not certain what should be made of these latter two absences as it is known that Friar Tuck, for one, has been part of the legend since at least the later 15th century where he is mentioned in a Robin Hood play script.The early ballads are also quite clear on Robin Hood's social status: he is a yeoman.While the precise meaning of this term changed over time, including free retainers of an aristocrat and small landholders, it always referred to commoners.

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